| being a production focused brief, I wanted to produce one illustration to then apply to a range of formats and materials. It all started from this one squiggle. |
| That squiggle was based on this illustration I did last year. |
| I started to rework the head first in a rough outline. |
| I figured out the basic shape of the image and then started looking at the more complicated shapes involved. |
| This thing here, looks a bit like its been stood on, was the first proper development of the image in my opinion. It started to take shape a look a little more realised. (using a 0.3 pen) |
| Still using the same pen, I just built on the previous idea and started figuring out how to start overlapping tentacles and make the overall image more complex. |
| I started using a 0.1 tip pen to rough in some fine detail. |
| The above three images are the final outline, still imperfections as you can see with overlapping lines, but I felt that this was ready to move into digital produciton. |
| Bad photo aside, this is the digital outline. |
| I then started playing with simple complimentary colours I wanted the eyes to be warm, and the rest to be cold, with the beige aiding the transition from blue to pink. |
| The turquoisee wasnt working for the suckers, |
| It felt like there were too many colours, and this made the image look chaotic and would also be a nightmare to screen print. I had also started adding tonal shadows to the image at this stage. |
| I changed the colours for uniformity and added highlights. |
| I then added in waves, inspired from hokusai wood carvings/ prints. |